Archives: Artist Management

Artist

Kenny Glenaan

Previous work includes: the BAFTA and RTS winning The Cops and Buried for Tony Garnett; Gas Attack, written by Rowan Joffe for Channel 4, which won the Michael Powell Award at the Edinburgh International Film Festival, the Special Jury Prize at the Courchevel Film Festival and the Best Actor Award, shared by the three lead actresses at the Cherbourg Film Festival; Summer, for Sixteen Films which won BAFTAs for Best Direction, Best Film and Best Actor Award for Robert Carlyle at the EIFF and Best Film in the Alice in the Cities section at the Rome International Film Festival; Yasmin, written by Simon Beaufoy, which won the Audience Award at Dinard and the Ecumenical Award at Locarno, and several Best Actor Awards. 

Other work includes: the first two parts of Charlie, a 3 x 90 political drama for RTE, which was nominated for Best Drama at the Irish Film and Television Awards; The Ark, a single TV film for Red Planet/BBC1; Paddington, a TV film for BBC 1 about the Paddington rail crash; Magnificent 7 for BBC1, a single TV film about a family on the autism spectrum, which won the Signis Prix – Festival de Television Monte Carlo; Case Histories, Spooks, Paranoid and Being Human.

Kenny also directed the short documentary, The Right to Life, which was part of the portmanteau feature entitled The Ten Commandments, inspired by the UN Declaration of Human Rights.

Theatre directing includes: A Place with the Pigs by Athol Fugard, which won a fringe first, and Joe Orton’s Loot, and several new plays, including Asylum Asylum! by Donal O’Kelly and One, Two, Hey by James Kelman.

Development/writing projects include the feature film Barren Land, about the people who live and work in the shadow of Faslane nuclear submarine base; TV documentary 60 Days That Shook Britain about the Bristol bus boycott; animated feature film Animal; and five part television drama Brothers and Sisters.

Before directing, Kenny was nominated in the London Theatre awards for his performance in Mike Cullen’s The Cut, at the Bush Theatre, and played the co lead in Simon Beaufoy and Billie Eltringham’s film This is Not a Love Song.

Oberon KA Adjepong

What a voice. Based in Philadelphia, whether it’s commercial v/o, drama, rap or singing that you’re after, Oberon is your man.

Holly Goss

Accents & Dialects: American-Standard, Australian, Cockney, Essex*, Lancashire, RP*, West Country, Yorkshire

Languages: English*

Music & Dance: Alto, Ballet*, Contemporary Dance, Flamenco, Period Dancing

Performance: Comedy

Sports: Running*, Stage Combat

Vehicle Licences: Car Driving Licence

* = Native / Highly Skilled

Spotlight CV

Pamela Nomvete

Born in Ethiopia but having lived a lot in South Africa, Pamela can switch seamlessly from RP to various African accents.

James Murray

With his ability to switch easily between RP, Northern and American, James has a fantastically versatile voice that’s so easy to listen to – great for all kinds of voice work.

Accents & Dialects: American-California, American-Southern States, American-West Coast, Cheshire*, Cockney, Manchester, Midlands-West, Yorkshire

Languages: English*, French

* = Native / Highly Skilled

Anya Chalotra

Equally comfortable with her native Black Country (Wolverhampton) accent or RP, the fabulous ANYA CHALOTRA brings a characterful read to all her work.

Please take a look at the trailer for YouTube’s children’s animation series SHERWOOD below in which she voiced the lead, Robin.

Accents & Dialects: American-Southern States, American-Standard, Birmingham, Black Country*, Caribbean, Cockney, English-Standard*, Estuary English, Heightened RP, Indian, Liverpool, London, RP, West Country, Yorkshire

* = Native / Highly Skilled

Al Weaver

With his native Lancashire accent, Al has a youthful and approachable voice – perfect for commercial campaigns.