Deep in the Fens, an order of holy sisters lives in quiet isolation, cut off from the outside world by a treacherous marsh known as the mere. Convent healer Hilda and her fellow nuns follow God’s path under the steely guidance of their abbess.
But when a young servant boy goes missing in the marsh, rumour and division spread like wildfire through the community and the abbess’s grip falters. Where is the boy? Who took him? Why can he not be found?
Then, newly arrived Sister Wulfrun has a vision: a curse is upon them and change must be brought. As the convent is swept up in a fight for its very survival, Hilda finds herself caught in her own battle between her conscience and her growing feelings for the enigmatic Wulfrun . . .
After a puzzling death in the wild bushlands of Australia, detective Dana Russo has just 12 hours to interrogate the prime suspect – a silent, inscrutable man found at the scene of the crime, who disappeared without trace 15 years earlier.
But where has he been? Why won’t he talk? And exactly how dangerous is he? Without conclusive evidence to prove his guilt, Dana faces a desperate race against time to persuade him to speak. But as each interview spirals with fevered intensity, Dana must reckon with her own traumatic past to reveal the shocking truth . . .
It’s his last summer on the small island where he has grown up. He should be enjoying the weeks until his exam results come through, but instead he’s desperately trying to keep his head down after his mother’s nude sext to another man was leaked to the whole island. He’s doing his best to distract himself with his Gaelic football ambitions, going out with his mates and a blossoming, sort-of, romance with his slightly older co-worker Amber.
But soon John must face up to the choices before him: to stand out or fit in and whether to love and let himself be loved, despite, or perhaps because of, the flaws that make us all human.
It is a long, hot summer and the country is suffering an epidemic of road rage.
What isn’t making the news headlines, though, is that the SAS’s secret assassination squad, the Increment, is killing ex-soldiers.
These two strands of violence become ever more tightly intertwined as ex-SAS man Matt Browning is drawn into an adventure that takes him to Russia and ends explosively in the UK.
When Frida Slattery and John Reddan meet in a Dublin pub in 2005, neither can imagine how they will come to shape and define each other’s lives.
Frida is struggling to launch her acting career, while John is already gaining a name for himself as a director. From the first they see in each other potential and the chance to create work that matters, though the lines between collaboration and exploitation, friendship and desire will prove dangerously slippery.
With the financial crisis looming, the next 16 years takes them from Dublin to London, via New York and LA, and through success and disappointment, joy and heartbreak. Their connection is tested and stretched to the point of rupture, but something remains that outlasts both their work and their own shifting perceptions.
Jules has been divorced from her ex-husband Leon for five years, but she still works alongside him at Gunk, the grotty student nightclub he owns in central Brighton. She spends her nights serving shots and watching, from behind the bar, as Leon flirts with students on the dancefloor.
But then Leon hires nineteen-year-old Nim to work the bar – and her arrival jolts Jules awake for the first time in years. When Nim discovers she’s pregnant, Jules agrees to help. As the months pass, and the relationship between the two women grows increasingly intimate and perplexing, it emerges that Nim has her own unexpected gifts to give.
Now, alone in her small flat, Jules is holding a baby, just twenty-four hours old, who still smells of Nim. But no one knows where Nim is, or if she’s coming back. What could the future – for Jules, Nim, and this unnamed baby – possibly look like?
Things have been difficult for Annie since her husband left; her teenage daughter, Isla, has become a ghost of her former self. Annie’s terrified that Isla might do something desperate, and she’ll lose her, too. So when Annie receives a video of herself crying at Isla’s funeral, her blood runs cold.
Confused and horrified, Annie races upstairs to check on Isla, who is alive and well. The video has been faked. But who sent it and what do they want?
One dark truth soon becomes clear: Annie is the latest in a string of parents being blackmailed, and Isla will be killed if Annie goes to the police or if she fails to give the sender what they want. Annie has a deadly choice: comply with the demands, or try to unmask the dangerous criminal.
Áine should be feeling happy with her life. She’s just moved in with Elliot. Their new flat is in an affluent neighbourhood, surrounded by bakeries, yoga studios and organic vegetable shops. They even have a garden. And yet, from the moment they move in, Áine can’t shake the sense that there’s something not quite right about the place…
It’s not just the humourless estate agent and nameless landlord: it’s the chill that seeps through the draughty windows; the damp spreading from the cellar door; the way the organic fruit and veg never lasts as long as it should. And most of all, it’s the upstairs neighbours, whose very presence makes peaceful coexistence very difficult indeed.
The longer Áine spends inside the flat – pretending to work from home; dissecting messages from the friends whose lives seem to have moved on without her – the less it feels like home. And as Áine fixates on the cracks in the ceiling, it becomes harder to ignore the cracks in her relationship with Elliott…
Charlotte’s daughter, Stella, is sensitive and brilliant – perhaps even a genius – but after the sudden death of her babysitter, Blanka, the once disruptive and anti-social child has become docile and agreeable. And what’s more unsettling is that she has begun to mirror Blanka’s personality, from her accent and repetitive phrases to fierce cravings for Armenian meat stew after being raised a vegetarian.
Charlotte is pregnant with her second child, depleted and sick, and convinced that Blanka herself is somehow responsible for Stella’s transformation. But how could Blanka still be entwined in their lives?
As Charlotte becomes increasingly obsessed, it’s clear her husband believes this is all in her head and soon, Charlotte is convinced she is the only one who can save her daughter.
Juliet has learnt that life is too short not to chase your dreams. But when she buys an old watermill in France, her tranquil new start is quickly kneaded into something far more ambitious when the local mayor offers her a deal she can’t refuse: reopen the village’s derelict boulangerie.
With a formidable rival – the owner of the local bread vending machine – determined to crush her, Juliet faces disgruntled villagers, her own lack of baking skills, and hidden secrets within the mill itself.
But with help from her outspoken neighbour and the charming Tabac owner, Juliet battles to bring back the aroma of freshly baked bread – and with it, the heart of the community.
Can she prove that even the biggest dreams start with just a little pinch of courage?
