Claire O’Connor’s life has been on hold since she broke up with Tom Morton and moved from cosmopolitan London back home to the rugged west of Ireland to care for her dying father. Now, a couple of years later, Claire learns that Tom has moved nearby for work. She must decide if he has come for her or for himself, and unravel what went wrong in their past.
Living in her childhood home brings its own challenges. While she tries to maintain a normal life – obsessing over the internet and trad wives, going to work, and minding her own business – Tom’s return stirs up old memories and the stories trapped within the walls of the old house that looms nearby.
As the violence of the past collides with the mundane reality of Claire’s everyday life, she must confront whether she can escape her history or if she is destined to be immobilized by it forever.
Elaine Feeney is an acclaimed novelist and poet from the west of Ireland. Her debut novel, As You Were, was shortlisted for the Rathbones Folio Prize and the Irish Novel of the Year Award, and won the Kate O’Brien Award, the McKitterick Prize and the Dalkey Festival Emerging Writer Award. How to Build a Boat was also shortlisted for Irish
A year ago, a father and his fiancée were brutally stabbed in their opulent London townhouse, sparking the most high-profile murder investigation in recent history. Blood spatter expert Doctor Claudia O’Sheil’s evidence put the killer behind bars – or so everyone believes. Since the trial, Claudia’s learned a horrific truth: her evidence and her testimony were wrong. And someone she knows made sure of it.
Now, as she takes the stage to give a career-defining speech before London’s elite, Claudia faces a devastating choice. Protect her children and her livelihood with her continued complicity or blow the whole conspiracy apart and reveal the truth: not only is the real murderer still out there, they’re in the audience.
As Claudia steps toward the microphone, she revisits that fateful night. What really happened? And what speech will Claudia give?
The year is 1920. The place is a remote farmhouse in Provence, home to the reclusive painter Edouard Tartuffe and his niece, Ettie. Into this strange, silent house walks Joseph: a young journalist hoping to write an article about Tartuffe. But the more he entangles himself in the peculiar household, the more Joseph’s curiosity grows…
Ettie cooks and cleans for her uncle. She prepares his studio, scrubs his paintbrushes, and creates the perfect environment for him to work. She has never gone further than the local village. She is sharp-eyed and watchful. But beneath her cool exterior, Joseph senses something simmering. Ettie, Joseph and Tartuffe circle each other throughout the hot, crackling summer, until finally they collide.
Lucy is a graduate of both the Faber Academy and the London Library Emerging Writers Programme. She began writing The Artist while living in France, and currently splits her time between London and Amsterdam. The Artist has been listed for the BPA First Novel Award, the Yeovil Literary Prize, the Page Turner Awards, the Fiction Factory First Chapter Competition, and was a Finalist in the Spotlight First Novel Award and the Moniack Mhor Emerging Writer Award. Lucy herself has synaesthesia and uses this to play with ways of translating images into words. She has a BA in English Literature and a Masters in World Literatures from the University of Oxford.
After a career spent being overlooked, Midge McClure has finally reached her police retirement. During the farewells she is gifted a weekend away in a haunted house, the idea of which fills her with dread not least because she will be leaving her beloved Bridie – her partner of twenty years.
The excursion group consist of a grieving couple, a has-been pop star, and an up-and-coming podcaster who aims to capture every second of their weekend away. Finding themselves snowed in together, with no access to the outside world, the group are soon horrified to discover a dead body, and they come to the realisation they have a murderer amongst them. It is up to a reluctant Midge to use all of her skills to solve the mysteries of the past, in order to find the killer of the present…
Emma Mason is a former Detective Conswith Oxford CID. She now lives in Dorset with her husband, children and parents. She writes and works as a design consultant, creating virtual reality training for the Ministry of Defence. Murder Most Haunted is her debut novel.
“Clever, witty and so much fun…I was on the edge of my seat. At this point, if Ravena Guron writes it, I’m first in line to read it.” Bea Fitzgerald, bestselling author of Girl, Goddess, Queen
Seventeen-year-old Kay left her sleepy hometown after the devastating death of her friend, Ivy. But when Kay is forced to come back, she receives an anonymous letter that turns her life upside down.
The letter tells her that there will be a thrill on Tuesday, a wreckage on Wednesday, treachery on Thursday, a fire on Friday, sabotage on Saturday, a stabbing on Sunday – and her murder on Monday.
And if Kay can’t figure out who is behind the threats, the worst day of the week is about to get deadly…
The British far right is working to dismantle our democracy. This shocking, eye-opening undercover journey reveals who they are, how they operate and how they are normalising extreme ideologies including eugenics.
In summer 2024, riots swept England in the biggest wave of far-right violence in the post-war period. But far-right activity takes many other forms as well, all of them dangerous.
Journalist Harry Shukman knows the dangers all too well: he’d gone undercover to infiltrate these groups. For over a year, he carefully attached his hidden lapel camera and pretended to be an extremist named Chris.
We follow Shukman as he hangs out in the pub with a secretive community network, canvasses with political party Britain First and attends a neo-Nazi conference. We meet a circle of Holocaust deniers, a race science organisation with a major Silicon Valley investor and right-wing think tanks supported by Conservative policymakers. What we witness is hard to believe, or stomach.
Year of the Rat is a gripping and urgent exposé – nail-bitingly tense, darkly absurd and utterly chilling. Risking his safety and sanity, Shukman has removed the far right’s terrifyingly everyday mask. Now, we must ensure it stays off.
They knew they were changing history.
They didn’t know they would change each other.
Oxford, 1920. For the first time in its 1000-year history, the world’s most famous university has admitted female students. Giddy with dreams of equality, education and emancipation, four young women move into neighbouring rooms on Corridor Eight. They have come here from all walks of life, and they are thrown into an unlikely, life-affirming friendship.
Dora was never meant to go to university, but, after losing both her brother and her fiancé on the battlefield, has arrived in their place. Beatrice, politically-minded daughter of a famous suffragette, sees Oxford as a chance to make her own way – and her own friends – for the first time. Socialite Otto fills her room with extravagant luxuries but fears they won’t be enough to distract her from her memories of the war years. And quiet, clever, Marianne, the daughter of a village vicar, arrives bearing a secret she must hide from everyone – even The Eights – if she is to succeed.
But Oxford’s dreaming spires cast a dark shadow: in 1920, misogyny is still rife, influenza is still a threat, and the ghosts of the Great War are still very real indeed. And as the group navigate this tumultuous moment in time, their friendship will become more important than ever.
The Eights is a captivating debut novel about sisterhood, self-determination, courage, and what it means to come of age in a world that is forever changed.
Maggie Flynn isn’t your typical 1960s mum.
She’s a spy, an unsuspecting operative for MI5, stalking London’s streets in myriad disguises.
Widowed and balancing her clandestine career with raising a Beatles-mad teenage daughter, Maggie finds comfort and purpose in her profession – providing a connection to her late husband, whose own covert past only surfaced after his death.
But Maggie’s world spins out of control when a chance encounter with a mysterious Russian agent triggers a chilling revelation: he knew her husband. And what’s worse, the agent suspects someone on home soil betrayed him.
As Maggie searches for answers, she’ll question everyone – and everything – she thought she could trust. In the murky and perilous world of espionage, can she outsmart those determined to keep her silenced?
‘A gripping story and great 60s detail, Mrs Spy is the female answer to Harry Palmer’ – Ian Moore
‘Mrs Spy is a delicious recreation of 1960s London… rich and well-constructed’ – Emma Flint
STRAY TOO CLOSE TO THE EDGE . . .
New York-based writers Felix and Emma have it all. As the husband and wife team behind the bestselling Morgan Savage thrillers, their meteoric rise to global literary fame seemed unstoppable.
Until Felix messed up.
AND SOMEONE’S GOING TO GET HURT.
Now, the couple has been exiled to the south of France. Their sentence: a long, hot summer to cure their writers’ block – and save their marriage.
But as tensions rise beneath the sweltering sun, Felix and Emma become trapped in a deathly plot of their own making . . .
Four women
Annie has brought her three best friends and their families together for a long weekend away in a gorgeous seaside Airbnb. It should be idyllic – sun, sea, sand, cocktails and laughter.
One shocking secret
But below the surface, none of these friendships are quite what they seem. And Annie has a secret – and an earth-shattering favour to ask of one of her friends.
A life-changing decision
As the idyllic weekend turns sour – arguments, grudges and a boat trip that goes awry – Annie must make her devastating decision – and change everyone’s lives, forever.
About the author
Hannah Begbie studied Art History at Cambridge University. She went on to become a talent agent, representing BAFTA and Edinburgh Comedy Award-winning writers and comedians for fifteen years.
Her debut novel, Mother, won the RNA Joan Hessayon Award for new writing and has been optioned by the BAFTA-winning Clerkenwell Films for adaptation into a television drama.
She lives in north London with her husband and their two sons.
