Twenty-five-year-old Nell has curated a perfect museum of the self: early accolades in her career as an archaeobotanist, a pastel Instagram filled with flowers, and a consistent manicure routine to give a veneer of control. But there has always been a part of her that doesn’t fit the mask of perfection she wears.
When two ‘bog bodies’ are discovered in elaborate floral graves in a Somerset fen, Nell gets the opportunity of a lifetime to excavate and uncover their secrets. But the deeper she digs into the fertile, waterlogged mud, the more she uncovers repressed memories of her unsettled childhood and strained relationship with her sister… and the more her body manifests her own wildness in ways she can’t ignore.
Under the pressure of a blazing summer, Nell whirlwinds into a heated but toxic romance, intense friendships, and the brutal process of reconciling her past and her future before the weight of it all buries her, too.
Blending folkloric horror and an exploration of womanhood, against a background of eco-anxiety, Tender beautifully depicts the quiet violence of overcoming and accepting our darkest sides.
Jake and I planned our romantic trip to the south of France to unwind from all the stress of organising our wedding and enjoy some blissful, sun-soaked days just the two of us.
But when we return to the villa after a day exploring the stunning countryside, our dream holiday is turned upside down. Because there, on the beautiful antique rug, is the body of the man everyone saw Jake arguing with in the town square just this morning…
I stop breathing as I take in the scene. The footprints in the same tread as Jake’s trainers. The knife I used at breakfast lying near the body, covered in my fingerprints.
I feel dizzy, reaching out for Jake as my knees tremble. He holds me upright, saying nothing. Is someone trying to frame us for this death? If they are, they’ve set us up flawlessly.
And now we have a choice to make. Call the police and risk everything – or get rid of the body and hope nobody ever finds out…
I’d give anything to go back to the stress of wedding planning, because now I feel nothing but terror.
We Were There is about a Black Britain that for too long has been unknown and unexplored – the one that exists beyond London.
From the late 1970s to the early 1990s Britain was in tumult: rocked by Margaret Thatcher’s radical economic policy, the rise of the National Front, widespread civil unrest. With anti-immigration policies in the political mainstream, Black lives were on the frontline of a racial reckoning. But it was also a time of unrivalled Black cultural creation, organising and resistance. This was the crucible in which modern Britain came into existence.
We Were There brings into the spotlight for the first time extraordinary Black lives in once-rich cities now home to failing industries: the foundries of Birmingham, the docks of Liverpool and Cardiff, the mills of Bradford. We are in Wigan, Wolverhampton, Manchester and the green expanse of the British countryside. We meet feminists and Rastafarians, academics and rugby-league superstars; witness landmark campaigns and encounter radical artists and thinkers; tread dancefloors that hosted Northern Soul all-nighters and the birth of Acid House.
London was only ever part of the picture – We Were There is about incorporating a vastly broader range of Black Britons into the fabric of our national story.
Alive with energy and purpose, We Were There decisively expands our sense of who we are. Confronting, joyful and thrilling, this is a profoundly important new portrait of modern Britain.
Laurie loves stories. She loves reading them in her mums’ bookshop in their small Scottish town. She loves sharing them with new readers. She also loves telling stories about people she’s not yet met and places she’s not yet been. But when one of these people comes crashing into Laurie’s world, it turns her whole life upside down.
Neon is the boy Laurie’s been dreaming of for the last six months, and he’s exactly as she had created him – down to his ability to play any instrument he picks up. And when he steps off the train and into Laurie’s world, he teaches her what it means to be real…
Sophie Cameron is the author of several novels for teens and young adults. Her books have been shortlisted for the Yoto Carnegie Medal for Writing, the UKLA Book Awards and the Diverse Book Awards, among others, and won a Leeds Book Award in 2023. Originally from the Scottish Highlands, Sophie now lives in Spain with her wife and their twin sons. When not reading or writing, she enjoys baking, learning languages and watching far too much reality TV. Sophie is represented for publishing by Paula Weiman at ASH Literary Agency.
Johnny Grant faces stark life decisions. Seeking answers, he looks back to his relationship with Jerry Field. When they met, nearly thirty years ago, Johnny was 19, Jerry was 45. They fell in love and made a life on their own terms in Jerry’s flat: 1, Nova Scotia House. Johnny is still there today – but Jerry is gone, and so is the world they knew.
As Johnny’s mind travels between then and now, he begins to remember stories of Jerry’s youth: of experiments in living; of radical philosophies; of the many possibilities of love, sex and friendship before the AIDS crisis devastated the queer community. Slowly, he realizes what he must do next―and attempts to restore ways of being that could be lost forever.
Nova Scotia House takes us to the heart of a relationship, a community and an era. It is both a love story and a lament; bearing witness to the enduring pain of the AIDS pandemic and honouring the joys and creativity of queer life.
Intimate, visionary, and profoundly original, it marks the debut of a vibrant new voice in contemporary fiction, and a writer with a liberating new story to tell.
Charlie Porter is an acclaimed art and fashion writer, critic and curator. He is the author of the acclaimed books What Artists Wear and Bring No Clothes: Bloomsbury and the Philosophy of Fashion. He lives in London. He is represented for publishing by Rebecca Carter at Rebecca Carter Literary.
England, 1919. Alyce – with a Y – lives with her grandmother, the original Alice, having lost her father during the Great War. When a mysterious invitation to a tea party hits her square in the face, Alyce realises her grandmother’s strange stories of a place called Wonderland might have some truth to them after all.
But the land Alyce finds herself in feels different from the Wonderland of her grandmother’s stories – for it is trapped in its own war. The Sun King and the Queen of the Moon are fighting over a stolen hour, and soon Alyce is tasked with setting it right. With the help of the Mad Hatter, the Cheshire Cat and a Sailor Fox, Alyce will have to solve Wonderland’s problems and, eventually, find her way back home.
Anna James is a writer and journalist living in London. Anna was Book News Editor at The Bookseller and Literary Editor of Elle UK. Anna has written for The Pool, The LA Times, The Financial Times and The Independent, as well as making YouTube videos as A Case For Books. She hosts literary events and panels and is the co-founder and host of the London YA Salon. She was shortlisted for the Kim Scott Walwyn Award for Women in Publishing, 2015, and the London Book Fair Trailblazers Award, 2016. Anna is represented for publishing by Claire Wilson at RCW Literary Agency.
Gwyn has never wanted to act like a lady. She much prefers fighting with her wooden sword to weaving intricate tapestries.
When her father takes her to join the royal court at Tintagel, Gwyn meets Merlin: a wild young boy with unique powers, in desperate need of her help. They flee Tintagel together, and before long, the young prince, Arthur, joins them.
So begins an epic journey across ancient Britain, involving giants, mermaids, unicorns and witches – and their discovery of a truly monstrous plan. This band of unlikely friends must prevent the mythical Oakheart – the foundation of all magic in the land – from being stolen. Or magic will be lost forever . . .
Discover the beginnings of Maker magic, and meet Cordelia Hatmaker’s legendary ancestors, in this thrilling story.
Tamzin Merchant has been an actor since the age of seventeen. Her acting work has taken her around the world and on a journey through time. She has been a Tudor, a Victorian, a Jacobean, and has survived the Blitz and succumbed to pneumonia in Edwardian times. She’s been an alien, a witch, a doomed queen, a feisty Scottish warrior and a rebellious high-society runaway. Tamzin is the bestselling author of The Hatmakers, The Mapmakers and The Troublemakers. Tamzin is represented for publishing by Claire Wilson at RCW Literary
YOUR HUSBAND HAS BEEN ARRESTED.
Maggie’s husband is suddenly arrested in the middle of the night, on suspicion of murder.
When Grant dies in custody, her world implodes.
EVERYONE BELIEVES HE IS GUILTY.
All the evidence points to Grant being a killer – including DNA at the scene.
But how can this be true when he was with Maggie all night?
ONLY YOU CAN PROVE THEM WRONG.
Following a trail of deception, it’s up to her to uncover the truth.
But Maggie has a secret too. Something she hasn’t told anyone.
She was with her husband all night – apart from one missing hour…
Robert Rutherford is a founding member of the Northern Crime Syndicate crime writers’ group and has been shortlisted twice for the CWA Short Story Daggers. THE MISSING HOUR is Robert’s second novel after his debut thriller, SEVEN DAYS. He lives in Newcastle with his family. He is represented for publishing by David Headley at D H H Literary Agency.
Year of the Rat is a gripping and urgent exposé – nail-bitingly tense, darkly absurd and utterly chilling. Risking his safety and sanity, Shukman has removed the far right’s terrifyingly everyday mask. Now, we must ensure it stays off.
In summer 2024, riots swept England in the biggest wave of far-right violence in the post-war period. But far-right activity takes many other forms as well, all of them dangerous.
Journalist Harry Shukman knows the dangers all too well: he’d gone undercover to infiltrate these groups. For over a year, he carefully attached his hidden lapel camera and pretended to be an extremist named Chris.
We follow Shukman as he hangs out in the pub with a secretive community network, canvasses with political party Britain First and attends a neo-Nazi conference. We meet a circle of Holocaust deniers, a race science organisation with a major Silicon Valley investor and right-wing think tanks supported by Conservative policymakers. What we witness is hard to believe, or stomach.
Harry Shukman is a researcher at HOPE not hate, an anti-fascist organisation. Formerly a journalist, he worked as a news reporter for The Times and then a writer and editor for the Manchester Mill – an investigative online newspaper – and its sister sites in Liverpool and Sheffield. He is represented for publishing by Doug Young at PEW Literary.
‘A rising star of Australian crime fiction’ SUNDAY TIMES
In the courtyard of the Pacific Heights building, a local waitress is found dead.
Five apartments overlook the murder scene. Five people witnessed a crime take place.
Finding the killer should be simple.
Except none of the witnesses’ stories match.
They all saw something – from a different angle, at a different time.
None of them saw everything. Anyone could be the killer.
Detectives Carl “Bluey” Blueson and Lachlan Dyson, each with their own careers in peril, must solve what others assume is a straightforward case. But to unmask a killer they must unpick a complex puzzle – where the motivations of the witnesses are as mystifying as the crime itself.
How can you solve a crime if anyone could be lying?
