Archives: Book

It is 5:30 am on Clio’s forty-fifth birthday and her hated ex is lying dead on her doorstep. Even worse, this is no accident. Someone’s killed him… When single mum Clio ’s ex Gary turns up dead on the doorstep of her caravan – the one she’s been forced to live in ever since he stole every penny she had – there’s only one suspect. Her. What’s more, she doesn’t remember much about the night he was killed – not just because of the forgetfulness that’s been plaguing her along with the hot flushes – but because she definitely had one too many cocktails with her two best friends Amber and Jeanie . Clio does remember them talking about how much they all hated him though. And, in the frame for murder, she has to ask herself – if she didn’t kill Gary, who did? One of his many enemies? Or someone a little closer to home? And can she and her friends find the real killer before it’s too late?

Katie Marsh wrote romantic fiction before turning to crime. Her debut novel was a World Book Night pick and her books are published in ten languages. She lives in the countryside and loves strong coffee and pretending she is in charge of her children.

Welcome to the Grand Abeona Hotel: home of the finest food, the sweetest service, and the very best views the galaxy has to offer. All year round it moves from planet to planet, system to system, pampering guests across the furthest reaches of the milky way. The last word in sub-orbital luxury – and an absolute magnet for intrigue. Intrigues such as:

Why are there love poems in the lobby in-tray? 

How many Imperial spies are currently on board?

What is the true purpose of the Problem Solver’s conference?

And perhaps most pertinently – who is driving the ship?

Each guest has a secret, every member of staff a universe unto themselves. At the centre of these interweaving lives and interlocking mysteries stands Carl, one-time stowaway, long-time manager, devoted caretaker to the hotel. It’s the love of his life and the only place he’s ever called home. But as forces beyond Carl’s comprehension converge on the Abeona, he has to face one final question: when is it time to let go?

Grace Curtis has written on video games for magazines like Eurogamer and Edge, and she has a wonderful day job at an indie game publisher called Future Friends. When not writing she can usually be found up a hill somewhere, climbing or hiking or lolling idly in the grass. Her first book, FRONTIER, was published in spring 2023 (Hodderscape/UK, Solaris/US). Grace is represented by Zoe Plant at The Bent Agency.

Nigeria, 2021. Three days after her father’s burial, 20-year-old Temi and her family gather for the reading of his will. There, before her grieving relatives, she announces her plan to get a Brazilian butt-lift and relocate to Lagos to finally live her dream life. Young women everywhere are transforming their bodies, so, why shouldn’t she?

Stunned and appalled by Temi’s outburst, the family scramble for help from the community that helped raise her: aunties Jummai and Big Mommy, the family doctor, a prophet – anyone who might help the girl see sense. In the midst of this pandemonium, each woman in the family is forced to reckon with her own body shape and how looks have determined her path in life. As they embark on their journey to cure Temi of her seeming madness, a few family secrets are spilled, and in the end, it seems that Temi may in fact be the sanest of them all…

Damilare Kuku has worked as a radio presenter, scriptwriter, film producer, actor and director. She holds bachelors and masters degrees in the arts, has lectured at universities on feminism and the art of storytelling through pictures, and has spoken at mentorship events organized by the United Nations for young girls in Lagos. Her debut collection of stories, Nearly All The Men In Lagos Are Mad, was a runaway bestseller in her native Nigeria, named by Rovingheights Bookstore as the bestselling fiction title of 2022. She is represented by Charlotte Seymour at Johnson and Alcock.

Louise Manson is the newest student at Highfield Manor, Dublin’s most exclusive private school. It seems nearly perfect: the high arched window alcoves and tall granite pillars, the overspill of lilac at the front gate and the immaculate playing fields, the giggling students, the dusty, oak-lined library, and the dark, festering secret she has come to expose.

At first, Lou’s working-class status makes her the consummate outsider, though all that changes when she is befriended by the beautiful and wealthy Shauna Power. But Lou finds out that even Shauna is caught up in Highfield’s web, and her time there ends with a lifeless body sprawled at her feet.

Thirty years later, Lou has rebuilt her life after the harrowing events of the so-called “Highfield Affair,” when she gets a shocking phone call. Ronan Power, Shauna’s brother, is a high-profile lawyer bringing a lawsuit against the school. And he needs Lou to testify.

Now with a daughter and career to protect, the last thing Lou wants is for Highfield Manor to be back in her life. But to finally free herself and others, she has to confront her past, go to battle once more, and discover, for once and for all, what really happened at Highfield. Powerful and compelling.

Fiona McPhillips is an Irish journalist, author, and screenwriter. Her work has appeared in The Manchester Review, Hobart and Barren Magazine, among others. Fiona lives in Dublin with her three kids, two cats, and a dog. Fiona is represented by Rachel Neely at Mushens Entertainment.

On the anniversary eve of the 9/11 terror attack, New York swelters under a heat dome of record temperatures. Even the global leaders assembled at the UN HQ are forced to admitthat the climate crisis has reached boiling point and the world’s time is running out.

That same day, at precisely 5:25 p.m., everyone on Manhattan Island – every man, woman and child, including all the world leaders at the UN – falls unconscious. Everyone that is, except for Samantha Rossi, a single mother reeling from devastating personal news and Nick Lockwood, a wounded NYPD detective who wakes from a coma just as the City That Never Sleeps falls into one.

Rossi’s first concern is her daughter. Lockwood’s is his city. As night draws in, they must work together to unravel the mystery of what has happened and why. Each must decide how far they will go and what lines they will cross to save what matters most to them.

Michael Cordy is the author of six novels, including the Sunday Times and international bestseller The Messiah Code (The Miracle Strain). His novels have been translated into several languages and four have been sold to Hollywood. Michael lives in London with wife and daughter and is currently completing his seventh novel. He is represented by Patrick Walsh at PEW Literary Agency.

@GATSBY is the debut novel by journalist Jane Crowther, which explores the cautionary tale through the 21^st century lens of social media and cancel culture.

It was pre-empted by The Borough Press and will publish in the UK in Spring 2025, exactly 100 years after the publication of THE GREAT GATSBY – serving as a timely reminder of how pertinent the themes remain.

A solvent young graduate with literary ambitions who takes up a boathouse lease in West Egg, Long Island for the summer, Nic Caraway finds herself tangled in a web of intrigue, media narratives and romance as she befriends her beautiful influencer neighbour, @Gatsby. As the summer melts away, Nic learns about love – lost, adulterous, elusive – as she flits between Gatsby’s infamous parties attended by golfing golden boy Jordan Baker and the home of her cousin, Danny Buchanan and his dominating wife, Tomasina. Looking back on a formative time in her life, Nic considers culpability, courtship and the frayed edges of the American dream as she processes a violent incident that changes all of their lives forever…

Crowther is the editor-in-chief of Total Film magazine, the vice-chair of The London Film Critics’ Circle and a member of BAFTA and the Critics’ Choice Association. Her first non-fiction book, a celebration of cinema, will be published by HarperCollins in December 2024. She is represented by Harry Illingworth at DHH Literary Agency.

GLORIOUS EXPLOITS featured in the Irish Sunday Independent and was picked as the Bookseller book of the month for its publication in January. US Rights were acquired by Henry Holt & Co, who will publish in March.

It’s 412 BC, and Athens’ invasion of Sicily has failed catastrophically. Thousands of Athenian soldiers are held captive in the quarries of Syracuse, starving, dejected, and hanging on by the slimmest of threads.

Lampo and Gelon are local potters, young men with no work and barely two obols to rub together. When they take to visiting the nearby quarry, they discover prisoners who will, in desperation, recite lines from the plays of Euripides for scraps of bread and a scattering of olives.

And so an idea is born: the men will put on Medea in the quarry. A proper performance to be sung of down the ages. Because after all, you can hate the Athenians for invading your territory, but still love their poetry.

But as the audacity of their enterprise dawns on them, it becomes increasingly difficult to distinguish between enemies and friends. As the performance draws near, the men will find their courage tested in ways they could never have imagined …

FERDIA LENNON was born in Dublin to an Irish mother and Libyan father. He holds a BA in History and Classics from University College Dublin and an MA in Prose Fiction from the University of East Anglia. His short stories have appeared in publications such as the Irish Times and the Stinging Fly. In 2019 and 2021, he received a Literature Bursary Award from the Arts Council of Ireland. After spending many years in Paris, he now lives in Norwich with his wife and son.

Praise

“Bold and totally unexpected, I loved this book” Douglas Stuart, author of Shuggie Bain

“A very special, very clever, very entertaining novel” Roddy Doyle, author of Paddy Clarke, Ha Ha Ha

“Bold and totally unexpected, I loved this book. A brilliant novel about friendship, the healing power of art, and why we must fight for our dreams. I was hooked from the first page” Douglas Stuart, author of Shuggie Bain

“In At Swims-Two-Birds, Flann O’Brien gave us cowboys riding through Dublin. Now, Ferdia Lennon gives us modern-day Dubliners living among the ancient Greeks. This is a very special, very clever, very entertaining novel!” Roddy Doyle

“As thrilling for me as the first time I picked up a Kevin Barry novel. Glorious Exploits is exuberant, funny, lyrical and profoundly moving. It is, quite simply, a rare beauty” Sarah Winman, author of Still Life

“Glorious Exploits stinks of misery, despair, love, war, poetry, reckless ambition, terrible failure, and glorious triumph. It’s a novel thick with the stuff of the Classics, in other words. A delicious treat of a read. I loved it” Jon McGregor

“With all the blunt humanity of Roddy Doyle, Glorious Exploits is a vividly conjured vision of the past. Madly ambitious, cathartic like all great tragedy, but shockingly funny too, Ferdia Lennon’s outstandingly original début is just glorious” Emma Donoghue, author of Room

“What a voice! What a story! A darkly funny double act from Lampo and Gelon, sandwiched in between the transformative experience of theatre and forgiving your enemies. I loved it from the first line” Claire Fuller

“Sublime. Pitch-perfect dialogue, a fast-moving story that is both dark and lyrically beautiful, tragic and funny in equal measure. Glorious Exploits is an astonishingly original and gripping story of brotherhood, war and art. Ferdia Lennon is a fierce new talent.” Rebecca Stott, author of In the Days of Rain

“A glorious thunderbastard, with a unique, stark voice that is expertly drawn. It is cheeky, contemplative and sly with an outrageous sense of humour and a massive heart. Lennon beats you with a club then whispers you poetry. It is harsh and fun in a way that few other books are … A book like this is long overdue and very welcome. Thank the Gods.” Rory Gleeson, author of Rockadoon Shore

“Glorious Exploits is an agonising exploration of the cost of violence, for both its winners and losers. It is also a reminder of how dangerous and radical the making of art can be, as the attempt to stage Medea with prisoners-of-war in 412 BC comes to represent war’s opposite. This perfect first novel is a tragicomic masterpiece. Ferdia Lennon has created a story worthy of the Athenians: mortal, maddening, heart-mending.” Clare Pollard, author of Delphi

“What a truly magnificent novel this is: in turns riotous, brutal and deeply affecting. I am in no doubt that Ferdia Lennon is the real deal. His captivating storytelling resonates with all the beauty of Euripides’ plays.” Imogen Hermes Gowar, author of The Mermaid and Mrs Hancock