Ruth Platt

Ruth Platt read English at Oxford, from a comprehensive school. Most recently Ruth directed a block of CALL THE MIDWIFE. Her BFI funded feature, Martyrs Lane, was released on Shudder in 2021. It won the Rising Star award at Fantasia Film Festival and was nominated for the Cheval Noir. Ruth is currently developing a TV series with Hilary Salmon’s production company, The Lighthouse, and is developing film projects with Independent and Silver Salt Films.
Her short film, The Heart Fails Without Warning, adapted from a Hilary Mantel short story, screened at multiple international festivals. Her first, micro budget, feature, The Lesson, was the only female made feature at FrightFest 2015 and picked up distribution. Her second feature, The Black Forest, a dark comedy, was nominated for the Michael Powell Award for Best British Film at Edinburgh International Film Festival in 2019.
This skin-prickling supernatural story crafts an effectively airless atmosphere of uncanny melancholy. It’s the kind of horror which eschews jump scares in favour of a more subtle, gauzy sense of unease, a slow-burning discomfort that creeps up on the audience like a half-seen shadow’. Screen Daily. Martyrs Lane Review.

Freddie Gaminara

Freddie spends a questionable amount of time reliving 90’s wrestling glory days and keeping up with football. He enjoys a good poker handa bad jokand pretending both are part of a bigger strategy. 

Accents & Dialects: American-East Coast, American-New York, American-Standard, Australian, Cockney, Dutch, East European, Essex, Geordie, German, Heightened RP, Irish-Southern, Italian, Liverpool, London*, Multicultural London English (MLE), Polish, RP, Russian

Music & Dance: Drums, Period Dancing

Performance: Voice Over + Home Studio

Sports: Badminton, Boxing, Football, Skateboarding, Skiing, Stage Combat, Swimming

Vehicle Licences: Car Driving Licence

* = Native / Highly Skilled

Spotlight CV

Joshua Boyd-Campbell

Joshua is a devoted dad of two toddlers, who navigates life like one big production. He enjoys producing and building things,  watching football and The Apprentice, and whenever time and money allows, travelling the world, meeting new people, and experiencing different cultures. 

Accents & Dialects: American-Southern States, American-Standard, Cockney, Jamaican, London*, RP

Music & Dance: Bass (singing), Body Popping, Contemporary Dance, Rap, Street Dance

Performance: Children’s Theatre, Comedy, Forum Theatre, Physical Theatre, Role Play, Verbatim Theatre

Sports: Athletics, Boxing, Cycling, Football, Jiu Jitsu, Karate, Sword Fighting, Tae Kwon Do

Vehicle Licences: Car Driving Licence

Other Skills: Director, Drama Workshop Leader, Producer (professional), Workshop Leader (Acting)

* = Native / Highly Skilled

Spotlight CV

Stephanie Jay

Accents & Dialects: American-California, American-Southern States, American-Standard, Australian, Brazilian, Cockney, Essex, Estuary English, French, Italian, Latin American, London*, Northern, RP*, Spanish

Music & Dance: Cabaret Singing, Soprano

Performance: ADR-Additional Dialogue Recording, Presenting, Voice Over

Sports: Boxing, Cycling, Horse-riding, Mountain Biking, Rollerblading, Running, Triathlon

Other Skills: Counselling, Improvisation, Narration, Photographic Model, Photography, Psychology, Writer

* = Native / Highly Skilled

Spotlight CV

Alex Parkinson

Gemma Addy

Gemma is a screenwriter and story editor. She studied history at King’s College London before pursuing a career in the film industry. While working, she studied Screenwriting at the Met Film School and Script Development at the NFTS.

Gemma was accepted into the UCLA Advanced Writers Workshop in 2017, and her feature films have placed in recent competitions. SPARROW FARM was a semifinalist for the Academy’s Nicholl Fellowship in 2019, and she was among the top 10 highest-scoring women. SMALL TOWN won the Bronze Prize at the Page Awards in 2019, and RUNNING was a semifinalist at the Atlanta Film Festival and Page Awards in 2018.

In 2019, Gemma was hired to co-write a television pilot with Alex MacKeith for Banijay Studios. Between 2021–2025, she worked on the television drama MARIE ANTOINETTE (Canal+/BBC) as a story editor and associate producer. She is currently attached as a writer on season two of AMSTERDAM EMPIRE (Netflix).